Comfort Technology

When I'm feeling particularly lonely or blue, I gravitate toward office supplies. This started v young, when I was teaching myself calligraphy in 4th grade. Then I became fascinated Letraset (generically: dry transfer lettering) which was state-of-the-art before computer-set type.

I was not alone in this obsession.

Even though their stock is much smaller and they lack the aiglet-obsessive clerks with stained fingers, a big box of office stuff like Staples or OfficeDepot is v reassuring.

Imagine my delight when a friend sent me this 500 pencils, true art-supply porn.

Joe Sacco's "Palestine"

Just finished Joe Sacco's Palestine, graphic non-fiction about Intifada I. As with all his work, the narrative is honestly brutal and the drawings squirm with detail. I wholeheartedly recommend all his "comic books" (his preferred term). At Mother Jones, when he talks about his latest, Footnotes in Gaza, he explains why graphic non-fiction can sometimes tell a story better than words alone:

 begin quote  But one of the advantages of comics is that you're drawing frame after frame after frame, so almost in the background scenes you can create this atmosphere that's following the reader around, that doesn't necessarily relate to the foreground action but is somehow always present. For example, the way the buildings look—I can show that over and over again in the background, so in some ways I think you can really put the reader in that place, just with all these repeated images. If there's mud in the background, you can show that in every frame, so the mud is following the reader around. If you're a prose writer, really what you're doing is just mentioning it once, you're not going to keep mentioning it ever few lines—"and by the way, it was really muddy." So it's this constant reminder of what the place looks like. quote ends